Liminoids.com - of spaces in-between

'Landscape in the Frame: Exploring the Hinterlands of the British Procedural Drama', in New Review of Film and Television (forthcoming, 2015/16).

Preface to paperback edition of L. Roberts (ed.) Mapping Cultures: Place, Practice, Performance (Basingstoke: Palgrave, forthcoming, 2015).

'Inhabiting the Edge: Tricksterism and Radical Liminality', The Double Negative (forthcoming, 2015).

'The Cestrian Book of the Dead: a Necrogeographic Survey of the Dee Estuary', in D. Cooper, C. Donaldson, and P. Murrieta-Flores (eds.), Literary Mapping in the Digital Age (London: Ashgate, forthcoming, 2015).

'Of Time, Dissonance and the Symphonic-Poetic City', in Eselsohren: Journal of the History of Art, Architecture and Urbanism (forthcoming, 2015).

'Navigating the "Archive City": Digital Spatial Humanities and Archival Film Practice', in Convergence: The International Journal of Research into New Media Technologies, 21 (1): 100-115 (2014).

‘Liminality’, (co-authored with Hazel Andrews), in N.J. Smelser and P.B. Baltes (eds.), International Encyclopedia of the Social and Behavioral Science (Oxford: Elsevier, forthcoming, 2015).

‘Mapping Cultures: Spatial Anthropology and Popular Cultural Memory’, (co-authored with Sara Cohen), in D. MacLennan, W.F. Garrett-Petts, and N. Duxbury (eds.), Cultural Mapping as Cultural Inquiry (New York: Routledge, forthcoming, 2015).

'The Violence of Non Places', in Hazel Andrews (ed.) Tourism and Violence (London: Ashgate, 2014).

‘Unveiling Memory: Blue Plaques as In/tangible Markers of Popular Music Heritage’, (co-authored with Sara Cohen), in S. Cohen, M. Leonard, R. Knifton and L. Roberts (eds.), Sites of Popular Music Heritage (London: Routledge, 2014).

‘The Archive City: Film as Critical Spatial Practice’, in B. Fraser (ed.), Marxism and Urban Culture (Lanham, MD: Lexington Books, 2014).

'The Bulger Case: A Spatial Story', in Special Issue on ‘Cartography and Narratives’, S. Caquard and W. Cartwright (eds.), The Cartographic Journal, 51 (2): 141-151(2014).

'Marketing Musicscapes, or, the Political Economy of Contagious Magic', in Special Issue on 'Music and Tourism', B. Lashua and K. Spracklen (eds.), Tourist Studies, 14 (1): 10-29 (2014).

'Heritage Rocks! Mapping Spaces of Popular Music Tourism’, (co-authored with Sara Cohen), in S Kruger and R Trandafoiu (eds.), The Globalization of Musics in Transit: Music Migration and Tourism, (London: Routledge, 2014).

‘Talkin Bout My Generation: Popular Music and the Culture of Heritage’, in Special Issue on ‘Popular Music and Cultural Heritage’, Amanda Brandellero, Sara Cohen, Susanne Janssen, and Les Roberts (eds.), International Journal of Heritage Studies, 20 (3): 262-280 (2014). [ACCESS HERE]

‘Unauthorizing Popular Music Heritage: Outline of a Critical Framework’, (co-authored with Sara Cohen), in Special Issue on ‘Popular Music and Cultural Heritage’, Amanda Brandellero, Sara Cohen, Susanne Janssen, and Les Roberts (eds.), International Journal of Heritage Studies, 20 (3): 241-261(2014).[ACCESS HERE]

'Popular Music Heritage, Cultural Memory and Cultural Identity', Guest editorial to Special Issue on ‘Popular Music and Cultural Heritage’, (co-authored with Amanda Brandellero, Sara Cohen, and Susanne Janssen), International Journal of Heritage Studies, 20 (3): 219-223 (2014).

‘Film and Spatiality: Outline of a New Empiricism’, (co-authored with Julia Hallam), in L Roberts and J Hallam (eds.), Locating the Moving Image: New Approaches to Film and Place (Indiana University Press, 2014).

‘Mapping the City in Film’ (co-authored with Julia Hallam), in I. Gregory and A. Geddes (eds.), Towards Spatial Humanities: Historical GIS and Spatial History. (Bloomington: Indiana University Press, 2014).

‘(Un)Doing Tourism Anthropology: Outline of a Field of Practice’, (co-authored with Hazel Andrews), Journal of Tourism Challenges and Trends, VI (2): 13-38 (2013).

'In Search of Pleasures Past', (co-authored with Ryan Shand), Screenworks, 4 (2013). Practice-based publication (documentary film). [ACCESS HERE]

‘The Last of Liverpool: Liminal Journeys Around the Port City’, in J. Conolly and C. Whelan (eds.) World Film Locations: Liverpool (Bristol: Intellect, 2013).

‘Mapping Cultures: a Spatial Anthropology’, in L. Roberts (ed.), Mapping Cultures: Place, Practice, Performance, (Basingstoke: Palgrave, 2012). [ACCESS HERE]

‘Cinematic Cartography: Projecting Place Through Film’, in L. Roberts (ed.), Mapping Cultures: Place, Practice, Performance, (Basingstoke: Palgrave, 2012).

‘Walking, Witnessing, Mapping: An Interview with Iain Sinclair’, (co-authored with David Cooper), in L. Roberts (ed.), Mapping Cultures: Place, Practice, Performance, (Basingstoke: Palgrave, 2012).

‘Introduction: Re-mapping Liminality’, (co-authored with Hazel Andrews), in L. Roberts and H. Andrews (eds.), Liminal Landscapes: Travel, Experience and Spaces In-between, (Abingdon: Routledge, 2012). [ACCESS HERE ]

‘The Sands of Dee: Estuarine Excursions in Liminal Space’, in L. Roberts and H. Andrews (eds.), Liminal Landscapes: Travel, Experience and Spaces In-between, (Abingdon: Routledge, 2012). [ACCESS HERE]

‘Another Space: Gleaning the Urban Littoral’, in Journal of Tourism Consumption and Practice, Vol 4 (1), Special Issue on ‘Liminal Landscapes’, H Andrews (ed), pp. 94-100 (2012), www.tourismconsumption.org/v4n1.htm. [ACCESS HERE ]

‘Regeneration, Mobility and Contested Space: Cultural Reflections on a City in Transition’, in J Harris and R Williams (eds), Regenerating Culture and Society: Art, Architecture and Urban Style within the Global Politics of City-Branding, (Liverpool: Liverpool University Press, 2011). [ACCESS HERE]

‘Flirting with Space: Journeys and Creativity, by David Crouch’ (book review), Journal of Tourism, Consumption and Practice 3 (2)(2011), www.tourismconsumption.org/v3n2. [ACCESS HERE ]

‘Mapping, Memory and the City: Archives, Databases and Film Historiography', (co-authored with Julia Hallam), in European Journal of Cultural Studies, 14 (3): 355-372 (2011).

‘Introduction: Projecting the Urban’ (co-authored with R. Koeck), in L Roberts and R Koeck (eds), The City and the Moving Image: Urban Projections, (Basingstoke: Palgrave, 2010). [ACCESS HERE ]

‘Projecting Place: Location Mapping, Consumption and Cinematographic Tourism’, in L Roberts and R Koeck (eds), The City and the Moving Image: Urban Projections, (Basingstoke: Palgrave, 2010).

‘World in One City: Surrealist Geography and Time-Space Compression in Alex Cox’s Liverpool’, in P Burns and J Lester (eds), Tourism and Visual Culture Volume 1: Theories and Concepts, (Wallingford: CABI, 2010).

‘Dis/embedded Geographies of Film: Virtual Panoramas and the Touristic Consumption of Liverpool Waterfront’, in Space and Culture, 13 (1): 54-74 (2010). [ACCESS HERE]

‘Making Connections: Crossing Boundaries of Place and Identity in Liverpool and Merseyside Amateur Transport Films’, in Mobilities, 5 (1): 83-109 (2010). [ACCESS HERE]

‘Cinematic Urbanism: A History of the Modern From Reel to Real, by Nezar AlSayyad’ (book review), Environment and Planning B: Planning and Design, 36 (3), pp. 68 – 570 (2009).

‘The Archive City: Reading Liverpool’s Urban Landscape Through Film’ (co-authored with Richard Koeck), in C. Grunenberg and R. Knifton (eds), Centre of the Creative Universe: Liverpool and the Avant-Garde, (Liverpool: Liverpool University Press, 2007). [ACCESS HERE]

‘Hospitality and Eroticism’ (co-authored with Hazel Andrews and Tom Selwyn), in International Journal of Culture, Tourism and Hospitality Research, 1 (3): 247-262 (2007). [ACCESS HERE]

‘Non-places in the Mist: Mapping the Spatial Turn in Theo Angelopoulos’ Peripatetic Modernism’, in W. Everett and A. Goodbody (eds), Revisiting Space: Space and Place in European Cinema, (Oxford: Peter Lang, 2005).[ACCESS HERE]

‘Oblivion, by Marc Augé’ (book review), Culture Machine, Sept 2005.

http://culturemachine.tees.ac.uk (2005). [ACCESS HERE]

‘“Welcome to Dreamland”: From Place to Non-place and Back Again in Pawel Pawlikowski’s Last Resort’, in New Cinemas: Journal of Contemporary Film, 1 (2): 78-90 (2002). [ACCESS HERE]

‘From Sarajevo to Didcot: An Interview with Pawel Pawlikowski’, in New Cinemas: Journal of Contemporary Film, 1 (2): 91-97 (2002). [ACCESS HERE]

ARTICLES